“This is what I call my poetry zone. This is where I get my poetry done. Cos, being a musician is half being a poet, as far as I’m concerned. See, I saw the word lonely while flipping through there, you see, that’s the shit dreams are made of. Also, songs. It’s the shit songs are made of”
To be introduced to Mac this way is probably ringing all
sorts of alarm bells, but the endearing part of his appeal is how faultlessly his
shenanigans compliments his music.
The Mac Demarco you will find on his albums is more or less the
same ambivalent Mac DeMarco that you see goofing about on YouTube, but this
time backed by an inescapable loneliness and melancholy. That’s not to say the
albums will solely bum you out; there’s an abundance of wit and sunny melodies,
but the constant presence of this sadness recasts Mac’s antics in a very
different light.
Mac’s second full length LP, Salad Days, is less a departure
from his earlier work and more a refinement. The ramshackle acoustic guitar and sleazy,
almost sinister vibe present on previous records have faded into mellow synths
and stoned organ drones, but the greatest improvement is in the lyrics.
“As I’m getting older,
chip up on my shoulder. Going through life to roll over and die”
Thematically, Salad Days focuses on the sort of loneliness,
boredom and sadness you feel even when shouldn’t; when life’s for all intents
and purposes smooth sailing. Album highlight “Chamber of Reflection” is an
almost zen-like meditation on this state, as Mac sings
“No use looking out
It’s within that
brings that
Lonely feeling”
This isn’t some self-pitying, solipsist mush, there’s a surprising
maturity to be find, in fact Mac spends much of the album handing out sage
advice. On “Blue Boy” Mac confronts anxious young people, pleading with them
“No use acting so
tough
Come down, sweetheart,
grow up”
while “Let Her Go” and “Treat Her Better” implore lovers to
be kind.
Salad Days isn’t the best album of 2014 by any means, but it’s
perhaps my favourite. For me, it’s a case of right album, right time.
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